Your shopping cart is empty.
I have been working since the 1980's on a proprietary art system I refer to as the Art Fountain. The subjects and compositions I choose vary extensively from photographs to existing art works and original compositions but I tend to like simple subjects that explore the beauty or facets of ordinary objects or a person or an animal which I then abstract. I have little interest in standard computer graphics or filter effects but am more concerned with colors and interesting textures created from geometrical primitives that subtly reflect the subject in a unique way. Because its roots are mathematical, the size of my art is independent of the form. I seek to combine the power and infinitude of mathematics with the aesthetics of color, composition and texture in an organic, non-computery way. The larger this art is viewed, the more it can be appreciated for the fine details it contains which is not always practical. As such, my art is theoretically conceived to be larger than I can possibly make it. Obviously, the web is less than ideal for showing large art because it loses its impact as a whole but the ideas can be explained and size alluded to.
I have been creating mixed media artworks and software since the early 1980's. My background is one that embraces music, art, philosophy and science in equal measures, informing my process. In 1989, I invented pixound, a program that translates color into music—that was a fun discovery. I also created Hyperchord where the user could draw riffs and listen to them in any scale and key, at any speed. Over several decades I've been developing custom "mathematical paint brushes" which allow me to explore an imaginative frontier in a manner I believe was never before possible. The works I make public are a small fraction of what I've created.
My art is mostly conceptual and not so much about creating beautiful things as it is about beautiful ideas for things. My main medium is not pigment suspended in oil, but artful algorithms, liberally redirected by chance. I create by exploring a realm that lies beyond my imagination and my physical skills, using mathematics and computers as tools. When these abstract ideas take on a final physical form it can't be dull and mechanical. The object needs to have a surface and feel that does justice to the visual discovery I've made. I continue to experiment in this area using all sorts of amazing new materials. My art can take on any form from an ever changing video installation to a detailed painting the size of a building to a hundred miniscule, unique portraits of a dog on wood.
There is a long history of collaboration between artists and scientists, always pushing the boundaries. Artists aren't about to let some new material or medium get used by everybody else and not use it themselves. They are often scientists themselves—hypothesizing, experimenting and discovering new methods of construction and expression. You see this from Da Vinci's experiments with pigments to Alber's color studies or David Salle's use of projectors for tracing images. Warhol fancied himself as a machine. Now the machines are much fancier and I'm happy to use them.
I have exhibited in New York, New Jersey, New Mexico and in 1992, I collaborated with my brother Michael (a New York artist), where we had the final installation in the full chronology of the human face called "A Visage Découvert", near Versailles, France at the Cartier Foundation for Contemporary Art. Our installation which endlessly drew random faces was included amidst works by the luminaries of art including Picasso, Matisse, Giacometti and many others as well as Maori and African masks and neolithic representations of the human face.
I welcome the opportunity to sell any art I create or create commissioned portraits and explorations of subjects of interest to others as well.
This presence of this badge signifies that this business has officially registered with the Art Storefronts Organization and has an established track record of selling art.
It also means that buyers can trust that they are buying from a legitimate business. Art sellers that conduct fraudulent activity or that receive numerous complaints from buyers will have this badge revoked. If you would like to file a complaint about this seller, please do so here.
The Art Storefronts Organization has verified that this business has provided a returns & exchanges policy for all art purchases.
Free Returns! If you don't love it, return it! Read on for our 100% satisfaction guarantee, and for instructions on how to make a return.
This website provides a secure checkout with SSL encryption.
The Art Storefronts Organization has verified that this Art Seller has published information about the archival materials used to create their products in an effort to provide transparency to buyers.
Reproducing and selling art responsibly while meeting museum standard quality standards with environmentally friendly processes.
This is only visible to you because you are logged in and are authorized to manage this website. This message is not visible to other website visitors.
Click on any Image to continue
The above preview shows how to use the live preview on this website. The image displayed is just an example, and is not available for sale.
This means you can use the camera on your phone or tablet and superimpose any piece of art onto a wall inside of your home or business.
To use this feature, Just look for the "Live Preview AR" button when viewing any piece of art on this website!
Below, select which favorite lists you would like to save this product into.
Join our VIP List and
SAVE 40% ON YOUR FIRST ORDER!
Enter your email below and we'll email you a 40% OFF Coupon right now!
VIP's receive special discounts throughout the year and are notified first of new artwork
from Artist McClard as it becomes available in the store.
This offer is valid for NEW CUSTOMERS only!